Daniel Solomon Koff is a design consultant who creates shared social, cultural, and multi-sensory experiences. His work ranges from urban placemaking to interactive installations, from the downtowns of old industrial cities, to the galleries of contemporary art museums. Koff has a Masters in Design Studies with a concentration in Art, Design, and the Public Domain from the Harvard Graduate School of Design. In college he earned a dual bachelor's degree in Social Design and History with a minor in Architecture from Washington University in St. Louis.
GRANTS AND DEVELOPMENT
An avid world traveler, Dana is passionate about advocating for public health nationally and internationally, as well as helping organizations achieve their missions. She is currently the Development Coordinator at Primary Care Progress (PCP), where she is responsible for growing PCP's fundraising and grant portfolio. She has worked with nonprofits that range in size, working on a wide variety of public health issues. These include assisting the business development team at the Union for International Cancer Control in Geneva, Switzerland, managing fundraising teams for a nationwide campaign to reduce the overuse of antibiotics on farms, and research on public policy at Safer Chemicals, Healthy Families in Washington, D.C. A native of Madison, Wisconsin, Dana recently graduated from Boston University, where she studied International Relations and Public Health, and was a member of the Division 1 Women's Rowing program.
Jean-Sebastien Duvilaire (Baba-Seb), is a young Haitian artist who admires and practices dance as a way to make this world a better place. Before joining the board, Jean-Sebastien performed as a company dancer with JAE; he continues to be involved artistically in the company as a choreographer, teacher, and occasional performer. He believes strongly in the use of the performing arts to trigger social change. He has a strong background in African and Afro-Haitian dance and training in classical ballet, modern, and contemporary dance. He’s worked with many artists globally and still travels to teach, choreograph, and collaborate in performances with other upcoming artists. Outside of JAE, Jean-Sebastien continues to teach and choreograph, enjoys music, spirituality, and runs a small cacao processing company in Haiti called Tahomey.
ASSISTANT SECRETARY (on sabbatical)
Raquel Cardoso is an art educator and artist who believes that we are most connected to ourselves and the world around us when we are creating, whether it be painting, dancing or making music. She has spent the last 16 years sharing this vision with her students with an emphasis on themes of social justice, honoring identity and each child's personal experience and voice. She immigrated to the U.S from Portugal when she was a child and has always felt connected to others who straddle two countries, cultures and families like herself. She is an avid traveler, taking full advantage of summers off, and has traveled to numerous countries, including southern Africa, Europe and South America. She was called to the strong sense of community and powerful and grounding movements of Jean's dance class 4 years ago and has never turned back.
JAE ADVISOR Michel DeGraff, born in Haiti, is Professor of Linguistics at the Massachusetts Institute of Technology (MIT). Michel dances as often as he can at JAE’s Afro-Haitian classes at the Dance Complex in Cambridge. On the scholarly and activist fronts, his interests concern the development and structures of Creole languages, with focus on his native Haitian Creole (“Kreyòl”) and on the uses of Kreyòl in research and education. Most recently, these interests have taken him to collaborate with MIT Sloan and Haitian colleagues. Two of Michelʼs recent projects in Haiti, both funded by the U.S. National Science Foundation and with the support of Haitian leaders and educators, have explored some of the ways in which the strategic use of Kreyòl and educational technology improve Haitian students’ active learning. In the ongoing MIT-Haiti Initiative, Michel has enlisted the collaboration of colleagues at MIT and in Haiti to help make high-quality education accessible to the greatest numbers of Haitian students while strengthening the foundations of Haiti’s linguistic and cultural identity—in a spirit similar to JAE’s work in Haiti. A stronger and more vibrant Haiti must be rooted in the wealth of its linguistic and cultural soil, along the ideals embodied in JAE’s mission. Wi, se kon sa Ayiti ap djaye ak bèlte pou tout pitit li! For more information about Michel DeGraff’s projects, see http://mit.edu/degraff and http://haiti.mit.edu.
Nadège V. White
Born in Haïti and raised in the United States and Canada, Nadège V. White works in the non-profit healthcare sector, has a keen mind for numbers and finance, is an amateur photographer, and has dabbled as a performer of Caribbean and West African cultural dances. An avid explorer of beauty, diversity, and truth, Nadège has traveled extensively throughout the United States, Europe, Australia, Latin America, the Caribbean, Africa, and Canada. Her self-expression is a blend of quirky sense of humor and imagination, a deep respect for the inherent “efficiency” within us all, and a penchant for hopefulness.
JAE ADVISOR, COFOUNDER
Stephanie co-founded Jean Appolon Expressions with Jean Appolon in 2011 and served as Executive Director for the organization’s first five years. Stephanie is a non-profit professional with nearly twenty years of experience in arts management leadership. She has held recent leadership positions with Quincy Jones Musiq Consortium and El Sistema USA at New England Conservatory. From 2005-2008, she lived in Maputo, Mozambique where she was the Founder and Project Manager of a grassroots project called “Dance for Life,” done in partnership with a local dance company and funded by foreign embassies and corporations. From 2000-2005, she served as the Director of Outreach and Education at Pacific Northwest Ballet (PNB), one of Seattle’s largest arts organizations and one of the major ballet companies in the U.S. Currently a freelance consultant and writer, Stephanie received a B.A. in English Literature at the University of Virginia and an M.A. in English Literature at the University of Washington.
Francie Latour is a writer, educator and diversity/inclusion practitioner. Her writing on race, culture and identity has appeared in the Boston Globe, The Root, Essence and Ebony, among other publications. She has appeared as a guest on NBC’s Today and on National Public Radio. In 2000, Francie’s essay on Haitian-American identity was selected for the anthology The Butterfly’s Way: Voices from the Haitian Dyaspora in the United States, edited by author Edwidge Danticat. After 17-year career in journalism, Francie now works in higher education, coordinating a diversity initiative for undergraduates at the Broad Institute of MIT and Harvard, a leading center for biomedical research. Francie is also a co-founder of Wee The People, a new arts-based series for kids ages 3-12 exploring social justice and activism. Francie, who lives in Roslindale, is a mother of three and a daughter of Haitian heritage. Her mother was born in Les Cayes and her father was born in Petion-Ville.
Born in Haiti, Steve Desrosiers grew up in Mattapan and attended Boston College where he earned a BA in History, Boston University where he earned a Master’s in Arts Administration and Endicott College where he earned his M. Ed . The bulk of his professional career has been in educational administration; primarily with the Boston Public Schools and as a Director for the Sudbury Metropolitan Council for Educational Opportunity (METCO). As an artist, Steve has been a lead guitarist for Boston based Haitian roots groups like Batwel Rada and Tjovi Ginen. He co-led local Konpa-Zouk fusion group “The Nomads”, releasing two critically acclaimed releases. He was a member of the Boston based band Rock-by-Funk Tribe (Hip-Hop Funk) headed by Nigerian born spoken word artist and Ted Fellow Iyeoka Okoawo. Steve was a guitarist for the popular Haitian band CaRiMi, featuring prominently on their early popular releases.
Steve has also worked extensively with Berklee School of Music ensembles, Federator No.1 (Afro-pop), the school’s Bob Marley Ensemble (Reggae) and Matt Jenson’s Liquid Revolution (Jazz-Reggae fusion).
As a 12-year Contributing Editor to the Boston Haitian Reporter, Steve frequently wrote on Haitian arts, dance music and history. A long time fan of the work of JAE, Steve was part of the instrumental line up (Bass) for the debut of the company’s acclaimed, “Angaje”.